Ariana Grande – Petal Album Review: A Near-Perfect Pop Reinvention
Ariana Grande delivers a lean, dark, and razor-sharp reinvention with Petal — a filler-free late-night masterclass that outshines eternal sunshine and nearly hits perfection.
Ariana Grande delivers a lean, dark, and razor-sharp reinvention with Petal — a filler-free late-night masterclass that outshines eternal sunshine and nearly hits perfection.
Tyla delivers a polished, breezy summer pop project with A*POP, but it plays it far too safe and drowns in filler after a strong opening run.
The Strokes return after six years with a disjointed, overprocessed mess that buries a couple of good moments under boring slumps and Auto-Tune that betrays their garage rock roots.
Here is my definitive, unfiltered ranking of every The Weeknd project, from my least favorite to his absolute magnum opus.
Both sides of this list have a story to tell — one side about artists coasting on names alone, the other about artists actually taking chances. Let’s get into it.
Charli xcx takes a bold rock gamble with Music, Fashion, Film, but lands on a middling project weighed down by repetitive hooks and filler.
Nia Archives delivers a thrilling, genre-splicing sophomore statement with Emotional Junglist, but the high-octane first half runs out of steam in the second.
Steve Lacy pulls off a bold, genre-blending reinvention with Oh yeah?, but two average tracks keep it from being a flawless follow-up to Gemini Rights.
Tory Lanez splits his comeback into a sharp cinematic rap triumph on Disc 1 and a sleepy, generic R&B disaster on Disc 2 — buried under 23 tracks of bloat.
Gracie Abrams delivers a handful of strong songs buried under a sleepy, overproduced mess that feels like a watered-down Olivia Rodrigo clone.